Friday, November 19, 2010
B is for Backstory
Today talented writing duo Angelica Hart and Zi will, in their own unique style, teach us a bit about Backstory.
A LITTLE COFFEE WITH YOUR CREAM?
Ah ha! Bet you are thinking this article is all about coffee or cream or even the juxtaposition of the usual into the unusual.
A: Go with it...
Well, we're actually going to discuss a book's backstory. Think of your novel as coffee and your backstory as cream. You usually add just a bit of cream to your coffee not the other way around, except for Zi, but that's a pot of another kettle.
A: Go with it...
Anywho, many novice writers are so anxious to share their research and development, they bog down the opening with as much information as they can.
Z: By the way don't you drink tea?
A: That's not the point...
A: Do you want to write this?
Z: Thought you'd never ask. (With a hip bump moves Angelica's chair aside until he is settled before and computer.)
The backstory is a vital part of plotting. It stimulates the story, and gives the characters motivation. After all, each character has a past and present, and a certain amount of that has to be conveyed. And, even though you might know this characters inside, backwards and upside down, the reader doesn't need to hear about the protagonist's fifth grade science project that blew up spewing purple dye all over Mrs. Greenspan. Unless, of course, it is vital to the story's conflict.
A: Hey wait, that wasn't a backstory but an actual event. You were in sixth grade when that happened, weren't you?"
Z: No comment. The case is still pending.
So, here are a few key factors to K I S S (Keep It Simply Simple) your way to the perfect amount of backstory.
While creating your character, make their history rich. Make certain you write down everything from your characters' most embarrassing moments to who they took to the senior prom and if they prefer chocolate to vanilla ice cream, and then, don't use anything but that which is pertinent to the story. Plus, only go back in time as far as is necessary. The opulence of your character will come through just because you know them so well. It will shine in their speech, their mannerisms, and the way they think.
There is always that IT factor in every story, the thing that is the crux of the story. For the present conflict to exist there must be something in the backstory that is relevant and must be told, and sometimes in great depth. Still, sprinkle it in, slowly, a bit at a time. It's like adding sugar to that ole coffee. Too sweet and people will make a face, or in a narrative just get bored and put the book down.
There are simply some great places you can add backstory that work better than others. The prologue is usually a great spot to drop a few spicy tidbits like cinnamon in your brew. Here you can tell rather than show more easily than anywhere else in the story. Using the character's memory is another great tool. Something current can trigger a recollection. Also, a flashback is great method of allowing the reader to see what had happened to create the present circumstance. One of the most basic conduits for the backstory is dialogue. Characters can reflect, explain, and address basic aspects of the plotline all while sitting across from each other having, well, a cup of coffee or climbing Mt. Everest, all depends on your story.
Remember simple is better. Don't be so enamored with your backstory that you distract from the action. Too much of it hinders the flow of the story. What had happened to set the plot in motion needs to be streamlined. Pare down your paragraphs and pages of information to a single line. Sum it up and place it strategically in the prose.
The backstory is the stimuli and the foundation of the book, but it is not the totality of the story, nor is it the pure action that keeps the readers moving along. So, when you ask yourself if you want a little plot with your backstory, remember to tell yourself to hold the cream.
Z: I'm just tying it in to the beginning.
Z: Hey, how about a cuppa?
A: You buyin'?
Z: Don't I always.
Angelica Hart and Zi
THE FABLE OF SIN-SIN-CINDERELLA Series
Bio: Creative synergy sizzled when the authors, from Delaware, USA, met and soon a literary partnership formed. They live several miles apart but meet every week day to dive into their collaboration of taking readers to new places and other worlds, to help them suspend reality, and to simply entertain.
Their combined accomplishments include book publications in print and/or electronic versions of eighteen titles, ten romance specific, EPPIE finalist for three books, Cecil Whig award, Hob-Nob Reader's Choice Award, written over 500 shorts with numerous published in both nationwide and small press magazines, articles published in various local, city and statewide newspapers, including four as a Guest Columnist in addition to trade articles. Both are members of various writing groups.