It happens everywhere in just about everything we humans do. A pecking order is established--someone or someones have to be on top, superior, which means someone has to be on the bottom--inferior, less than. I've been observing this in the world of publishing for a while now.
I looked for a definition of pecking order and here's what I found:
the order of power within a group; the order of power or importance within a group of people or animals.
In the beginning, to be a true author, you had to have an agent who represented you and your work to a 'traditional' publishing house and your book was published in hardback. You'd made it--you were an author. You were important.
Then small independent presses cropped up and writers no longer needed an agent to get their work submitted and, potentially, published. Authors who were published with the big 'traditional' houses said, "Wait, you're not an author. You haven't paid your dues. You haven't received enough rejection. You don't even have an agent." And, so, the pecking order began.
Enter the advent of e-publishing and ebooks. Small electronic presses open their doors and say, "Submit your book to us. You don't need an agent. If we deem your book worthy, we'll publish you electronically and, in some instances, even in trade paperback through print on demand. You'll receive editing services and professional cover art just like the authors with the big 'traditional' publishers. Was this true across the board? Not really. Let's be honest. Vanity presses began to offer major publishing deals that turned out to be fee-for-service packages anyone with a book could purchase. Some of the small presses and the e-publishers did and still do offer quality editing and cover art. Some do not. I know this because I've read lots of ebooks published by several e-publishers. Some are well done and others not worth the megabytes in terms of quality. Frankly, I believe the same is true with traditional houses, though perhaps less so.
And, now, we come to self-publishing. Anyone with a computer can publish a book. And, so, many do. Let's not forget the pecking order, though. Now those who went the route of small independent presses and e-publishers say, "Wait, you're not an author. Your work isn't vetted by a real publisher. It isn't edited by a real editor." There are a lot of complaints about the poor quality of some books that are self-published and how this avenue to publishing has glutted the market with poorly written and/or poorly edited work. With this point, I somewhat agree.
Quality is always of concern in publishing. With sixteen books published by three e-publishers, I recently stepped into the self-publishing arena. Gasp! I've learned a lot from that initial experience. Editing is essential. Good cover art is essential, but need not be costly. Some of my colleagues would say I've taken a step backward, should turn in my 'author card.' I'm a traitor to the profession.
It's probably a good thing I don't care that much what other people think of my choices. Here's what I know. I know that there are some very good 'traditional' (for lack of a better word to describe what has been called the 'big 6') publishers out there who employ professionals to take your book and make it into something as perfect and desirable as possible. I know there are small presses and e-publishers who do much the same thing on a smaller scale. There are also small presses and e-publishers who produce sub-standard work. I know there are writers out there publishing their own work without care or concern for the technical quality of that work. Not everyone can or should write a book. It is that simple. I know there are authors who are previously published with a publishing house who, for whatever reason (having more control over their work, reaping greater benefit with regard to royalties, expanding their publishing options), opt to self-publish. And they do it the right way by ensuring their work is edited and their cover art is professionally done.
The common denominator for every author today is Marketing and Promotion. I'm not the only nobody on Facebook or Twitter or other social medias pushing my books. I'm a nobody standing there alongside current and former New York Times bestselling authors who are doing exactly the same thing. Competition is a great leveler.
Those authors who self-publish find themselves, often, on the bottom of the pecking order. Is there a certain snobbery in publishing. Yes. It is true for everyone. No. At the end of the day, it's really just all of us chickens in the coop trying to hatch our next masterpiece.
Would it be fair for me to say that all authors who are 'traditionally' published by the big houses are snobs? No. Would it be fair of me to assume that all authors published by the small presses and e-publishers are there because they are 'not good enough' to make it to the bigger houses? No. Then how is it fair of anyone to assume that an author who chooses to self-publish does so because they're work is so bad, a publisher doesn't want it? It isn't. We do a great disservice to one another when we generalize and assume one's lack of ability, talent or, yes, importance, based upon the road they choose to get to the same goal.
I should add here that I am very happy for my friends who are published with the bigger houses and have agent representation. I'm equally happy for my friends who are with small, independent presses and e-publishers. And I am happy for those who have taken the self-publishing route and done it the 'right' way--meaning giving care and attention to the editing and cover art. I'm happy for myself that I've done both small press and self-publishing and plan to continue both. I've been blessed with some very good editors and cover artists, for the most part.
Saturday, May 17, 2014
Friday, May 2, 2014
Writing Strong Female Characters
I'm very pleased to welcome Women's Fiction author Ellen Butler who talks about strong female characters. (My favorite kind!) She's also running a promotional giveaway, so be sure to enter.
~ * ~
As an author of Women’s Fiction and Romance, I’ve found that I tend to
develop strong female characters. Women who have high profile jobs, that
require a post-graduate degree, or entrepreneurs who run their own companies. I
like to create women with gifts of intelligence and creativity. Why am I drawn to
these types of characters? Perhaps, it’s because I like the idea of empowering
my characters. I don’t care for wall flowers who allow life to happen to them.
Do my characters have flaws? Of course, just as everyone is flawed, my strong
women aren’t perfect, and sometimes they even run away from their problems
before facing them head on. Who, after all, hasn’t procrastinated making a
tough decision or telling an awful truth at one time or another? I write women like this because it’s
important to show that women can accomplish whatever they want, and finding
love in the process of achieving their dreams is simply the cherry on top.
Friendships with other females can be some of the most important
relationships in a woman’s life, which is one of the reasons that I tend to
provide strong female bonds in my books as well. Personally, I’ve developed
friendships with other female authors who I find are the embodiment of my
empowered characters. These women run the gamut; retirees, full-time moms,
single parents, wives, grandmothers, working two jobs, lawyers, bankers,
journalists, the list goes on and on. The one thing I find we all have in
common is our ability to support and promote each other all the time. We
empower each other to continue striving for greatness, and better ourselves in
doing so. Publishing is a tough business, and the more we can help other women
achieve their goals the closer we’ll be to achieving our own.
Linda, thank you for hosting me at One Woman’s Write, and allowing me to
share my new novel Poplar Place with
your readers. The main character, Cara Baker, is one
empowered lady!
Excerpt for Poplar Place
“What do you know about the tenant?”
“His name is…”
At that, Jackie came out of her
speechlessness with a vengeance. “His name! The tenant is male?”
“Well, yes, but he’s harmless. As a
matter of fact, he’s a recluse. You probably wouldn’t even notice him. You see,
he’s some sort of computer programmer and rarely leaves the house. His
groceries are delivered once a week.” Anne gave a reassuring smile.
“Great. Some creepy computer nerd
that plays games all day lives on the third floor,” Jackie said derisively.
I looked at Anne. “Is he
agoraphobic?”
Jackie looked confused. “Agora-what?
“Agoraphobic. Does he have a phobia
of going outside his home?”
Anne took a moment to respond. “I
don’t really know. I do know that twice a week his psychiatrist comes to the
house to see him.”
“Who’s his shrink?” Jackie asked.
“Dr. Nolan from downtown on Bradford Street .”
Silence descended as we chewed on
this information. I looked at the small wrought iron balcony jutting out from
the third floor.
“What’s his name?”
“Dr. Jeffrey Nolan,” responded Anne.
“No, the tenant’s.”
“Oh, let me see. It’s right here in
my file.” Anne searched through her files. “Yes, this is it. Daniel Johnson.”
“I can’t see the apartment at all?”
“I have photos that were taken by
Mr. Stein before the tenant moved in. You can at least see what the finished
space looks like. It has a small kitchen, two bedrooms, a den, a bath and a
half and a large living room. All the utilities for the attic are billed
directly to the tenant, except for sewer and water.”
“How much does he pay in rent?”
Referring back to her notes, Anne
named a price that temporarily stunned me. The rent he paid would completely
cover my monthly mortgage.
“There’s also an automatic three
percent increase in rent every three years.”
“Is he ever late?” Jackie jumped
back into the conversation.
“No. Never. From what I understand
from Max, he pays punctually on the first of the month.”
I mulled over this new piece of
information. “When can I meet Mr. Johnson?”
“Well, that’s the rub. He doesn’t
see anyone besides his psychiatrist. I understand Mr. Stein met him when he
moved in, but Max seems to think he keeps to himself and he’s not sure his
father ever saw much of him.”
“Can I speak to Mr. Johnson on the
phone?”
Anne brightened for a moment. “I
have his e-mail address. I’m sure I could give you that.”
Jackie snorted but I pressed on,
“Can I talk to his psychiatrist?”
“Cara!” exclaimed Jackie. “You can’t
actually be thinking about buyin’ this house with this ridiculous condition.”
“Yes, as a matter of fact, I am
thinking very seriously about buying this house. Obviously, Mr. Stein, a
well-known local lawyer, thought enough of Mr. Johnson to give him a ten-year
lease. Clearly, the third floor is a full working apartment, quite separate
from the rest of the house. Most importantly, the rent from the apartment would
provide me a second income.”
Seeing a live one on the line, Anne
began thrusting documents at me. “Here’s the floor plan Mr. Stein used when he
had it finished. Here are some color copies of the finished product. I have the
full color photos back at the office if you’d like to see them.”
“But…but,” Jackie stammered, “he
could turn out to be some sort of lunatic that will murder you in the middle of
the night. Or maybe…maybe he has that pack rat illness and the attic is full of
newspapers and garbage…and RATS! The house could turn into a foul-smelling
pigsty. Or maybe he’s runnin’ a meth lab up there!” Jackie pointed one of her
pink manicured fingers at Anne. Turning back to me, she continued on her rant.
“That’s it! Drugs! The police will descend upon you at three in the mornin’,
guns a-blazin’, and the entire house will be blown to bits durin’ the raid.”
“This isn’t a war, Jackie. I’m sure
Mr. Stein wouldn’t have allowed a drug dealer to live on his third floor.
Right, Anne?” I calmly eyed Anne who shrank back into her chair during Jackie’s
rant.
Purchase Links:
Amazon – http://tinyurl.com/mnubd4l
Barnes & Noble -- http://www.barnesandnoble.com/w/poplar-place-ellen-butler/1118976497?ean=2940149194650
Bio
Ellen Butler lives in the Virginia
suburbs of Washington , DC , and she considers herself an old-new
writer. In other words, she’s old to writing, new to novel writing. She holds a
Master’s Degree in Public Administration and Policy, and her history includes a
long list of writing and editing for dry but illuminating professional
newsletters, and windy papers on public policy. The leap to novel writing was
simply a creative outlet for Ellen’s over active and romantic imagination to
run wild.
You can find Ellen’s debut release, Second
Chance Christmas, at Amazon. Professionally, she belongs to the Virginia
Writer’s Club, the Northern Virginia Writer’s Club, and is a founding member of
the Tempting Romance blog. When she’s not writing, Ellen is either, running
around after her children, decorating a neighbor’s house, or holed up in her
favorite lounge chair reading. Ellen is an admitted chocoholic and confesses to
a penchant for shoe shopping. Book club questions for Ellen’s novels can be
found on her website.
**I’m running a
promotional give away. Readers can enter through the Rafflecopter link below.
ENTER TO WIN UP TO $100 IN LIA SOPHIA JEWELRY – WINNER’S CHOICE!
Tuesday, April 22, 2014
Bookstock 2014 - Don't Miss It!
I'll be joining 44 other local authors as well as a few
NYT Best-selling authors at
BOOKSTOCK 2014
this coming Saturday, April 26 from 10:30 a.m. to 3:30 p.m. at the
Benjamin L. Hooks Central Library, 3030 Poplar Avenue in Memphis, TN.
There will be food, fun and books for the entire family.
Please stop by and say 'hello'.
Monday, April 7, 2014
My Writing Process and What's Up Next?
The
fantastic Margaret Ethridge invited me to this blog hop. Please stop by and
check out her answers to these questions, too: http://margaretethridge.com/ and visit
Karen Stivali who started the hop http://karenstivali.com/
1. What are you working on?
As usual, I’m working on two books
right now. What started out as women’s fiction has become a contemporary
romance. (Sometimes your characters tell you where they want to go. It’s
usually best to follow.) Flight of
Fancie is about a woman whose never left her Mississippi home. But after her fiancée, a local
doctor, abruptly calls off their wedding, Fancie Hollensby decides it’s time to
make some changes and takes flight, heading for New Hampshire . The other book titled The Real Thing is about the stress Janelle
DuMonde’s (aka Jane Devereaux’s) career as an author of spicy romance novels
puts on her twenty-plus year marriage when her husband begins to feel like a
prop for her stories.
2. How does your work differ from others in the
genre?
I think every story is unique to its
author. My women’s fiction novels tend to incorporate an element or sub-plot of
romance. My romance novels tend to delve deeply into the emotions and psychological
workings of my heroines. (I used to work as a psychotherapist, so I can’t help
myself.) The story is never just about the romance. I’m not sure if that would be
considered a good difference or not, but I’m happy with the results and my
readers seem to like it.
3. Why do you write what you write?
When I write women’s fiction, I love
digging deeply into my character’s heart and soul as well as into her head. I
enjoy stories in which strong women can risk being vulnerable and still come
through with flying colors. And romance? Well, what can I say? I’m a romantic
at heart. Romance is fun. I enjoy writing the attraction and battles that go on
in a romantic relationship. And I enjoy getting into the male perspective and
the hero’s head. Mostly I write to entertain.
4. How does your writing process work?
To say I have process makes it sound
as if I’m organized. That would be a lie. Sometimes I get what sounds like a
great title bouncing around in my head. I play with that until I come up with
the story behind the title. Other times, I get that ‘what if’ question that
spins out into a story. ‘What if a born and bred Southern girl moved to New England ?’ And then there are the times when a
character introduces herself or himself and I listen for their story. No
process. It may sound like an ADD way of writing—“Oh, look. Something shiny. I’ll
follow it.” It’s the only way I know.
(I've invited a few authors and, as soon as they respond, I'll post their blog links for you. So, check back.)
Linda
Friday, March 21, 2014
The Lilac Hour--The Story Behind the Stories
When I read The Lilac Hour, I wanted to slow down, pull up an Adirondack chair on a front porch overlooking some sleepy New England harbor and drink in every word slowly, deliberately. I find the writing of these stories to be lyrical and alluring. I think you will, too. I asked author Ute Carbone to share with us the story behind the stories of The Lilac Hour and take us all to that front porch in that early evening sunset to introduce us to three ordinary, yet amazing women.
(Photograph provided by author. Please enjoy but do not copy.)
It
all began with a sunset. I was in the tiny town of New Harbor, on the Pemaquid
peninsula, one of the many rocky fingers that reach into the Atlantic in
mid-coast Maine, running a writing retreat.
To
say Pemaquid is pretty is a lot like saying the Duomo is a nice building. The
small town of New
Harbor is surrounded by water, with quiet coves tucked into grassy knolls, a
few miles downroad a lighthouse perches on jutting rock pounded by surf. It’s
the sort of place where time seems to stand still, lobster traps bob in the
distance as they have for generations, old salt-stained cottages line the
waterfront.
(Photograph provided by author. Please enjoy but do not copy.)
The
sun set on the quiet cove right in front of the rickety antique house we’d
rented (a story for another day). The
sky put on quite a show, pastels smeared into the horizon—soft blues, lilacs,
salmon, rose, apricot—softening everything around it in ethereal light. My
friend and fellow writer, Kathy Pyle, mentioned she’d always thought of the
wondrous time between daylight and dark as ‘the lilac hour’.
A
few months later I got the idea for a story about an elderly woman and her
undying love for the husband she’d lost when they were both young. I knew New Harbor
would be the perfect setting and Kathy’s phrase came into my head. I had the
opening line—“We called it the lilac hour.”
I
wrote the story, a short piece with a slight magical realism flavor, and looked
for a place to publish it. Turquoise Morning Press was open to short story
submissions and they had a line call ‘After Happily Ever’, which seemed the
perfect home for the story. I sent it to them and Lola DelSol, the editor of
the After Happily Ever line, wrote me to
say she loved the story and wanted to publish it. Only one problem, it was too
short to publish as a stand-alone. She suggested several options, one of which
was to write another story to compliment it.
In
the original story, Sarah, the main character, mentions her daughter and her
granddaughter. They must, I thought, each have a story of their own. I pitched
the idea to Lola who told me to go for it.
An
interesting thing happened when I sat down to write about Sarah’s daughter
Maggie and her granddaughter JoAnne. It was as though they had been there all
along, waiting for me to ask them for their own stories of true love. Maggie,
in her fifties, had a wish to reconnect with her husband, Jake. JoAnne needed to
examine her past in order to understand how much she loved her present—and her
husband, David. The stories came quickly and, miracle of miracles, they all fit
together, one complimenting the next. And it all started with a sunset.
The Lilac
Hour
Three
Stories.
Three generations of women.
Three
loves meant to last forever.
The
Lilac Hour: Sara has been widowed longer than she was married. Now in
her eighties, she
discovers
that anything is possible in the lilac hour.
Love
Letters: Maggie rediscovers the letters that her husband Jake
wrote long ago. Can she rekindle the passion that was once theirs?
The
Road Not Taken: JoAnne meets an old love at Target. Has she made
the right choice in choosing her husband David?
About the author:
Ute
(who pronounces her name Oooh-tah) Carbone is an award winning author of
women’s fiction, comedy, and romance. She and her husband live in New Hampshire , where she
spends her days walking, eating chocolate and dreaming up stories.
Books
and Stories by Ute Carbone:
For more
about Ute and her books, Please Visit:
Web page: http://www.utecarbone.com/
Twitter: https://twitter.com/Wildwords2
Pinterest: http://www.pinterest.com/utecarbone/
Love Stories (available daily via
Paper Li): http://paper.li/Wildwords2/1355247882?utm_source=subscription&utm_medium=email&utm_campaign=paper_sub#
Saturday, March 15, 2014
How Is Self-Publishing Like Sex?
Well, that got your attention. And I’ll explain that title
in a minute.
A lot of writers have jumped onto the self-publishing—or
indie publishing—wagon lately. (I recently read a discussion where the term
‘indie publishing’ is replacing ‘self publishing’. The term indie presses used
to refer to small independent publishers but, according to the discussion,
these are now referred to as small presses. Just a point of clarity.) I’ll use
the terms self-publishing and independent publishing interchangeably here. Some
authors are previously published or simultaneously published with small
presses, while others venture directly into self-publishing their works. I
recently joined the fray by independently publishing my new romantic suspense
novel, Protection. Call me Miss
Independence!
For those who view the independent publishing process as
being a, “I did it all myself” process—don’t be mistaken. I could never have
done this all myself. I should say, I couldn’t have done it well and, in the
end, still had a hair on my head. And I do not recommend publishing a book
without having it go through an editing process with a separate pair of eyes
that belong to a skilled author/editor. Some of you might have the talent to
create your own cover art. Those of us who don’t, have to rely on those who do.
An attractive cover is important for any book. As for the process as a whole, I
have a friend who says, “Anyone who can read a recipe can cook.” That’s true.
And so, it would make sense that anyone who can read instructions can publish
their own book to Amazon/Kindle and even put it in print on a site like
CreateSpace.
I’ve been published for over seven years with three small
presses. And, don’t get me wrong—I love my publishers. Wings ePress gave me my
start. Champagne Books welcomed me to my Canadian publishing family. And, most
recently, Turquoise Morning Press opened their arms to my writing. And they’ve
all done justice to my work. I’m not venturing off into independent publishing
and turning away from my publishers. Rather, I’m expanding my publishing market.
It was a daunting venture at first. But I can’t stand it
when I let fear stop me from doing something. When I first thought about
publishing a book myself, the negative messages rolled through my brain like a
freight train: “You don’t have a clue how to do that.” “You’ll screw it up.”
“You don’t know the first thing about formatting.”
Then I took a deep breath and examined those messages. No, I
did not have a clue. There was the potential to screw up and do it badly. And I
knew a little, but very little, about formatting for publication. I talked to a
few fellow authors who are published both by small presses and independently. Most
of them said the same thing, “If I can do it, you can do it.” I wasn’t sure if
this was a vote of confidence in my abilities or a critical assessment of their
own.
I sat down one Saturday and wrote out my fears or concerns
about this venture and, much like experimenting with a new recipe, made a list
of ingredients—the things I needed to have in place before I could proceed. Writing
the book was the easiest part. Cover art! I needed someone who had the ability
to create an attractive cover. Photoshop and I have a very adversarial
relationship. I turned to Trisha FitzGerald, a fantastic cover artist who won
an award for the cover she created for one of my Champagne
books, Next Time I’m Gonna Dance. I
knew I could trust her work and her fees are very reasonable. Editing! As much
as we authors would like to believe we know enough to edit our own work—we
don’t. Fortunately, my pal and fellow author, Kimberley Koz, graciously offered
to critique and edit the manuscript for me. And she did a smash-up job,
catching big plot issues and smaller copyediting issues.
I decided to publish through Amazon for Kindle and use
CreateSpace for trade paperbacks.
My first point of technical advice if you are going this
route is: #1. Download Building Your Book
for Kindle and read it. This became my holy grail for formatting the manuscript
for upload to Kindle. Save yourself a lot of grief and follow the directions.
Point #2. Don’t be afraid to ask other authors who have already gone this route
for their assistance. Authors Elaine Meece, Dee Julian and Kim Smith talked me
down from the ledge more than once, assured me I could do this, and Dee even took my manuscript and formatted for my
paperback according to CreateSpace guidelines. Once I saw what she had done, it
made sense. When I first looked at the options for trade paperback, I balked.
What if I messed up and formatted my book all wrong and it printed all wrong
and my readers saw what an idiot I really am? Okay, take a breath and step away
from the laptop. The online guides for CreateSpace will actually guide you
through the process. But—this is IMPORTANT—you have to know your page count
according to the print book size you choose (5x8, 6x9, etc.) in order to
calculate the size of the spine where your title and name will go. Once you
upload your formatted manuscript to CreateSpace into their template, you will
be able to review it page-by-page and you will get the page count. The guide
tells you exactly how to calculate the spine size. I gave this to my cover
artist and she did the rest, then sent me the full cover (front, back and
spine) for upload for the paperback and a jpeg of the front cover for Kindle. I
did supply her with their specifications on pixels, etc. (the things that make
my brain shut down—numbers.) But she understood and that was all that mattered.
Now, I formatted the manuscript separately for Kindle and
for CreateSpace. However, there is an option on CreateSpace to publish your
completed manuscript to Kindle. That may simplify the process but I, of course,
did the harder way, so I can’t tell you how that works. I assume they convert
the file for Kindle and upload it. And CreateSpace runs its own check of your
manuscript and tells you if there are any glitches before you publish. They
won’t let you make a complete fool of yourself. After all, their reputation is riding
on how your work looks, too. If you’re considering going this route, simply go
to Amazon.com, scroll down the page to the very bottom and choose the option Independently publish with us.
I heard another author recently comment, “Publishing is
going to hell in a hand basket. Any fool with a computer and an idea can
publish a book, and most of those self-published books are poorly edited
garbage.” Harsh? Yes. Somewhat true? Yes. The downside of independent
publishing is just as he described. I urge you not to be foolish and publish
that book you are so sure is ready for consumption without the benefit of
proper editing. Please do yourself and the rest of us that favor.
Okay, here’s where sex comes in. How is self-publishing like
sex? Once you get the first time out of the way, it’s enjoyable! I’m looking
forward to a few more projects I have in mind to independently publish. After
all the doubt, the angst, the anticipation, the frustration, the worry about
‘doing it right’, it was fun and I want to do it again.
And, now, here's my finished product--PROTECTION
Available now in eBook and Trade Paperback at Amazon.com
Back cover blurb:
Jake Garber is a new man after being placed in the witness
protection program pending a Federal child-trafficking case in which he’s a
witness. Shannon Chase is the identity stolen by a young woman escaping her past
to protect her child. A foggy night, a hairpin turn, and a car crash throw Jake
and Shannon into one another’s lives where each struggle to protect a
secret.
Linda
Tuesday, March 11, 2014
Protection - My First Foray Into Indie Publishing
With so many authors dipping their toes into the Independent Publishing stream, I knew I had to give it a try. I have books published with three small presses and, don't get me wrong, I love my publishers. Publishing independently is just one more way of broadening the scope of my writing.
I often felt as if I was wandering blindfolded in a dark room throughout the process of preparing my manuscript and formatting for publication with Kindle and CreateSpace. Fortunately, I have some very generous writer friends who lent their expertise with editing and formatting. (Without their help and encouragement, I'd no doubt still be bumping into unseen walls.) Today, my book went live on Amazon for Kindle. (The trade paperback is soon to follow). The cover art by Trisha FitzGerald is so perfect for the story. Well, you'll see for yourself--AFTER you read the book!
Protection - Romantic Suspense - is now available for Kindle at Amazon.com
I often felt as if I was wandering blindfolded in a dark room throughout the process of preparing my manuscript and formatting for publication with Kindle and CreateSpace. Fortunately, I have some very generous writer friends who lent their expertise with editing and formatting. (Without their help and encouragement, I'd no doubt still be bumping into unseen walls.) Today, my book went live on Amazon for Kindle. (The trade paperback is soon to follow). The cover art by Trisha FitzGerald is so perfect for the story. Well, you'll see for yourself--AFTER you read the book!
Jake Garber is a new man after being placed in the witness
protection program pending a Federal child-trafficking case in which he’s a
witness. Shannon Chase is the identity stolen by a young woman escaping her
past to protect her child. A foggy night, a hairpin turn, and a car crash throw
Jake and Shannon into one another’s lives where each struggles to protect a
secret.
Protection - Romantic Suspense - is now available for Kindle at Amazon.com
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